We saw Thomas Dolby in concert last Tuesday night. It’s not like us at all, to go see someone who hasn’t evolved (or had a hit) in 20 years, but I’m glad we did.
I’ve always liked music that didn’t sound like everything else. When I was a preteen, I heard and liked the Saturday Night Fever disco sound, but I also listened to funk, hard rock, southern rock, folk music, and everything else I could get my hands on. My tastes have always been very hard to describe, mainly because of the wide spectrum involved.
When I was 16, a good friend - okay, I’ll admit it, I crushed on him hard for years - asked me what kind of music I liked. I don’t recall what songs I mentioned, but most were not in heavy rotation on any radio station at the time. I guess my answers were right, because he recommended I pick up Thomas Dolby. “The ‘Blinded Me with Science’ guy?” I asked. That was the one. I’d written Dolby off for being too pop-sounding.
The next day my mother and I were out shopping and I headed to the record section of the store, as I always did. There in the front row of albums was Thomas Dolby. It wasn’t his LP, or full-length album, it was an EP and included just 5 songs, all of them remixes of songs on the LP. I recall thinking how strange it was that an artist would want to remix their own songs and release them on a different album, but it was the only Thomas Dolby they had at the time, so I talked my mom out of the money and picked it up.
It remained on my record player at home for weeks. Months. I made a cassette of it and listened on the way to and from school. It was just the beginning of my love for all music electronic which was lucky, since new wave was making huge inroads and would soon compete with hair rock for my music dollar (they both won some).
In the early 90s, I picked up Dolby’s “Astronauts and Heretics” in a used CD bin. As I recall the album didn’t sell very well, as I hadn’t even heard of it before spotting it in the bin. Again, I was hooked, even though his sound was more pop than ever. I’ve always liked his transitions, the bridges he creates between themes, and his melodies have always managed to get caught in my head on a loop. This one was no different and it remained in my CD changer for months at a time.
Then the man disappeared. Poof! For 15 years, nothing. I didn’t check online because I figured he’d just moved on like other artists of the 80s.
Then I picked up the paper a few weeks ago and saw he was coming to Denver. Excuse me? The Thomas Dolby? Oooooookaaaaaaay … then I couldn’t decide if I should go or not. I mean, what if he’s not that good? One of the negative aspects of nostalgia is that the brain is constructive, so my memory may be much better than it could ever be to see him perform live. If my memories were better, wouldn’t I fuck it up by seeing him in concert?
I was undecided until the day of the show, so I got our tickets with the thought I would at least enjoy a night out if nothing else.
Let me just say here that I have a geek fetish. I have always had a geek fetish. Bill Gates? Yeah. Harry Potter? Uh-huh. I go to Dragon*Con every year for a reason: Geeks. Lots of them.
We arrived at the concert just as Mr. Dolby was hitting the stage. He was dressed in a trenchcoat with microphone and camera and goggles attached to his shaved head. He was the only one there and he was surrounded by machinery. Keyboards and computers and buttons and foot pedals and switches and dials (oh, my).
Now most people who play electronic music just hit one button and go for it. Mr. Dolby programmed the songs into his system as he went, meaning each song had to be built from scratch before he could sing along and play the solos.
He’s a geek. A big dork. And I have a crush on him now. Great.
He hasn’t recorded anything new yet, though he said during the show that he is going to do just that. However, I’d like to send this suggestion out to you personally, Mr. Dolby:
If the songs in your head are just as pop as everything you’ve done in the past, please record them and hand them over to Haujobb or VNV Nation or some other synthpop/ebm folks and let them produce and/or remix them for you. You will still have the positive sound you’ve always had, but a larger audience - full of geeks who love electronica - will catch you this time around.
I’m just sayin’.